This year, the Met Gala paid homage to the art of fine tailoring and Black style, taking inspiration from Slave to Fashion: Black Dandyism and the Styling of Black Diasporic Identity by Monica L. Miller. And what would a celebration of Black style be without African designers in the spotlight?
Leading the charge was Ghanaian British designer Ozwald Boateng, no stranger to the red carpet, made his presence felt yet again, suiting up Met Gala co-chair Colman Domingo in a custom pink silk jacquard morning suit for his press conference appearance. Nigerian Afrobeats star Tems also stunned in an Ankara-inspired gown that radiated Africanness, while Burna Boy delivered a burgundy jacquard suit that perfectly balanced tradition and modern flair. Both looks bore Boateng’s signature craftsmanship and cultural sensibility.
Emerging British Nigerian designer Tolu Coker also made an appearance when South African musician Tyla wore one of her designs from the Autumn/Winter 2025 collection ORI to the Met Gala pre-party.
Nigerian designers Eve & May and Deji & Kola also collaborated to give Claire Sulmers, CEO of Fashion Bomb Daily, a commanding look in a red monochrome suit,proving once again that African fashion is rooted in excellence and innovation.
Whiles Orange Culture, founded by Nigerian designer Adebayo Oke-Lawal, dressed award-winning American actor Brian Tyree Henry in a custom red suit paired with floor -length jacquard cape.
But the moment of the night belonged to the legendary Diana Ross, who made her first Met Gala appearance in 22 years. She arrived in a breathtaking custom look by Nigerian brand Elevensixteen designed by Ugomozie, featuring an intricately embroidered gown with the names of her children and grandchildren,a true ode to legacy and lineage.
While we hope to see even more African designers grace future Met Gala carpets, this year’s showing was a powerful statement that African fashion is not just present — it’s pivotal.